Behringer bass v-amp software

N95, KN95, KF94 masks. Microsoft is done with Xbox One. Windows Windows. Most Popular. New Releases. Desktop Enhancements. Networking Software. Trending from CNET. Download Now. All controls operate in real-time so it doesn't matter if you make a control change on the V-AMP itself or within the software. You see and more importantly "hear" the changes immediately.

While live control is versatile for tweaking those tones in your V-AMP, the software would not be complete without a Tone Library function. Installing a tone in your V-AMP is as simple as dragging a tone from the Library and dropping it on the Preset location you want it to be stored in. Full Specifications. What's new in version 1. Release October 12, Date Added October 12, Version 1.

Operating Systems. Total Downloads Downloads Last Week 1. Report Software. Related Software. Apple GarageBand Free. Turn your iOS device into a collection of touch instruments and a full-featured recording studio. As supplied, however, all the locations contain factory presets, so storing one of your own patches necessitates overwriting a factory one. It is possible to recover the factory presets, but only globally, so you'd therefore lose any user patches — Joseph Heller could have used that in Catch The final few features are an auxiliary stereo input jack and level control that Behringer say are intended to enable the unit to be used for playing along to CDs in which case surely a pair of phono sockets would have made more sense , a headphone socket, and a setup page that enables the two output sockets to be configured in various modes to carry signals appropriate for live or studio applications.

For example, mode L2 makes one output socket carry the signal imprinted with both the amp and speaker modelling while the other socket carries the signal imprinted with only the amp modelling. Mode S2, on the other hand, has one socket carrying the fully treated signal and one a buffered dry signal.

So how does it sound? Well, as with any effect, appeal is in the ear of the beholder, and while this particular beholder did wince at quite a few of the factory presets, many of which seemed well overcooked, the basic quality of the sounds the Bass V-amp can produce, and their variety, is impressive.

I especially liked the way subtle down-stream effects worked with alternative amp and speaker models. While the amp simulations are, like the preset effects, probably a little overdone, they do provide a foundation for a huge variety of sounds, and enable more subtle use of the multi-effects than would perhaps otherwise be the case.

On their own, too, without any effects, the amp and speaker simulations are fascinating and worthwhile. I remember in my youth occasionally hiring an old Fender Bassman valve amp and a 1x15 cabinet. I loved the sound it made — wonderfully warm, yet with punch and clarity — and I never really achieved the same with any other backline. Well, what do you know? After half an hour's tweaking of the Bass V-Amp's parameters, while I'm sure I didn't recreate the sound perfectly, I found one — the Ampeg B15 combo with a little extra mid-range and top — that really did seem to have something of the same character that I remember.

Finding that sound, for me, makes the V-Amp worthwhile on its own, and says much about its versatility, so I'm sure I'll find a few other satisfying sounds too. I have a gig this evening, and I suspect I'll have this new toy staring up at me from the stage! Don't expect to understand the Bass V-Amp from the moment you turn it on, or even after you've tried to read the manual.

But persevere and you will find some inspiring bass guitar treatments. British '70s: based on the '69 Marshall Major. British '80s: inspired by the '80s sounds of musicians such as Mark King from Level British Pop: based on the Vox AC Thunderbird: similar to small bass combos such as the Behringer Thunderbird BX Mosound: based on the Ampeg B Silver Panel: based on the '67 Fender Bassman. Californian: based on the Mesa Boogie Plus.

Bottom End: inspired by the deep bass sounds of Justin Meldal-Johnsen. Tube Preamp: generic valve warmer, but best suited to bass signals. Jazz Tone: based on the Polytone A Ultimate Plus: lead sound with extremely high gain. Crunch V-Amp: a sound designed for modern blues or jazz. Mic Sim: recreates the sound of a miked steel-string acoustic for an electric guitar input.

Magnetic EQ: corrective EQ for signals from magnetic pickups. Piezo EQ: corrective EQ for signals from piezo pickups. Organ Classic: based on the Leslie British Classic: based on the '59 Marshall Plexi. Classic Clean: based on the Roland JC chorus. Auto Wah: LFO-controlled wah-wah effect. Stereo Delay. Ambience: early reflections program.